Fabian Stech

The hardend liquids here are aluminium, bronze or polyurethane foam. Foam goes form! But not really- everytime does the chemical material stays in a organical state as if it had its own behaviour which should be accepted. Corners of the room are not filles with fat but with something that looks like the last product of an digestion process of a colored winding worm. The wax paintings of Lynda Benglis have also an organic aspect but the most shiny piece of the exhibition is the last artwork made of urethane with orange pigment and only weakend by an neoclassical romantic  and eclecticism arrangement of some columns and blue velvet